Artistic talent is equally distributed across the globe.
Media attention should be as well.
What is No Chambers?
No Chambers is a project focused on highlighting artists making music everywhere. Its goal is to supplement existing Western music media, which often places too much focus on musicians and bands from backgrounds similar to its publications.
To do this, No Chambers features one album each month, pulling its recommendations from the wider world of music that often goes less-noticed in existing (English-language) music coverage. Other than this, there is no organizing principle to No Chambers. Featured albums can be from any genre, time period, and point in an artist’s discography.
Whether this newsletter is providing new finds or reminders of records to revisit, the hope is that No Chambers will provide a welcome break from the echo chamber that Western music coverage can too easily become.
More questions? See below.
I already subscribe to so many music newsletters. Why would I subscribe to this one as well?
I get it - information overload has become a defining characteristic of today’s media landscape. No Chambers can’t fix this, but it tries to make its own contribution a little less overwhelming by only sending one album recommendation each month. Hopefully this will make keeping up with No Chambers a treat rather than a chore.
What can I expect from a No Chambers subscription?
One album recommendation on the first Friday of every month, with a link to a place where the album is available to stream and (ideally) purchase. Plus a short one-sentence description of the album, as well as a longer-form description that includes more details, context, personal thoughts, etc.
How long is “longer-form”?
Anywhere from one paragraph to several - it depends on how much I have to say.
Why on first Fridays?
If you’re not already acquainted, let me introduce you to Bandcamp Fridays. Although these may or may not still be happening when you receive this newsletter, No Chambers aims to keep the spirt of these events alive. Although I can’t guarantee that every album featured here is available on Bandcamp, if it is, then I’ve bought it and encourage you to as well (either on a first Friday or otherwise).
Are these albums “fresh finds”?
Ideally they’re not stale, but it’s a big world out there. Although I try to highlight work that I feel deserves more recognition than it’s getting, I can’t commit to staying on top of all the latest releases and deepest cuts from the vast geographic area that this newsletter tries to cover. It’s likely these albums will be familiar to anyone who’s tapped into a particularly scene, but hopefully the coverage will be broad enough that you’ll find new recs from places you’re less familiar with. Also, some albums are just good enough that they’re worth a re-up.
So they’re all critically acclaimed?
Who knows? I’m not a critic.
Who are you?
See the bio in the “People” section below.
So is this “world music”?
No.
I have a question/comment/recommendation, can I contact you?
Definitely! I’m very aware that, by virtue of my language and background, No Chambers is also a part of the Western media apparatus and is subject to the same pitfalls. Feel free to send constructive criticism, feature suggestions, and all other outreach to nochamberscontact@gmail.com. I’m not too social in the media sense, but you can also find me on Instagram and that other site.
Photo Attribution: “opening doors” by Jeff, licensed under CC BY-ND 2.0 DEED
